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I know that 6x4 inch photos were popularized by 35mm cameras, which were then superseded by 4x3 aspect ratio in digital cameras, while 16x9 has taken precedence in general because of widescreen displays.

With this history in mind, what are the current prevailing conventions for fine art photography sizes in both pixels and inches, that would be both compatible in a gallery setting, large market printers, as well as for finding consumer frames for?

Equally important is the standard megabyte storage space these conventional sizes are approximated to consume?

user610620
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There is no single standardized file size, ppi, aspect ratio, nor physical dimension in the field of fine art photography. Works can range from square postage stamp sized pieces (or even smaller) to displays occupying large billboards, entire sides of large buildings or other structures, with everything in between.

It may be the case that a large majority of fine art prints use one among any of the several standardized paper sizes, but there are also many works that use non-conventional aspect ratios and print sizes. They're literally all over the place.

Michael C
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  • Alright, but for the 4:3 and 16:9 aspect ratios, there must be definitive pixel sizes that fine art photographers adhere to? – user610620 Dec 26 '21 at 08:25
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    Pixels don't have sizes. They are a dimensionless number. I think what you are trying to ask is how many pixels does an image need to be printed at a specific size? The general convention is around 300 ppi for prints intended to be viewed from a distance of about one foot/25 cm. Since larger works are intended to viewed from greater distances, that number goes down as size increases. But I think most galleries are more concerned with the size and proportions of the matting around a photo than they are the number of ppi in a fine art print. That, and the actual content of the image. – Michael C Dec 26 '21 at 10:19