8

What are the good softboxes for a small flash like a Canon Speedlite 430EX, for example?

mattdm
  • 143,140
  • 52
  • 417
  • 741
EtienneT
  • 2,023
  • 1
  • 21
  • 18

5 Answers5

6

Lastolite make an ezybox which is pretty "good" but it really depends on how you term "good". Do you want:

  • Small when collapsed
  • Durable and long-lasting
  • Big (bigger the light source, the softer the light)
  • Affordable?

Have you also considered just using a shoot-through unbrella?

matt burns
  • 6,036
  • 4
  • 39
  • 52
  • 1
    I should add that size of light source is not the only factor in light softness. It depends on both the size of source and distance from subject ;) – matt burns Jul 22 '10 at 13:03
  • I use an Ezybox (60cm square) with a single 430EX II. Works really well. Great light. But, any large well diffused softbox would work equal well. There are many options. – mooie Feb 28 '19 at 20:11
3

At Strobist there is a review of LumiQuest Softbox III. You can also use a hotshoe adapter for regular softboxes (such as the one sold by Lastolite).

(Dislaimer: Haven't personally tried any of those, was always afraid softboxes are too complicated to set up.)

che
  • 13,311
  • 4
  • 43
  • 76
0

I love my EzyBox 60x60cm for use with speedlights.
The packed size is smaller(!) than the 43x43cm Ezybox, and it is way more versatile than my Lumiquest III thingies.

Sam
  • 3,146
  • 1
  • 21
  • 34
0

LumiQuest Softbox makes the best on flash softbox. I use this for all indoor/outdoor (dawn/dusk )shots and on the go shots. (Wedding, Baby, and Engagment) It attaches with Velcro on the end of the flash. Full tilt and rotate are not impacted.

Damon
  • 186
  • 4
-1

I've experimented with a lot of these devices and agree that the EzyBox is probably the best, but honestly I find that a flash bounced off the ceiling or wall with the little white card thing pulled up (or a business card taped on) is really the best bet for most scenarios. Check out my blog for a book review of On-Camera Flash to see some amazing stuff, and I've done many of those types of shots with less sophisticated flash attachments than Neil uses.

I also have interviewed some of the top photographers in the world on my blog and I find that many don't even bother with mods beyond the card trick I mention above. It's only the prosumers that obsess over flash modifiers

  • 1
    For what it's worth: light modifiers are the bread-and-butter of so much serious photography. That doesn't necessarily mean the latest Gary Fong gizmo, but controlling light is crucially important. – mattdm Nov 09 '11 at 18:36